This Sudhir Mishra-directed film is a satire and an incisive look at caste and its subsequent social construct that is part funny, part ambitious and a tad generic
There are few movies that have a particular scene or moment you may have missed but lingers on, making you replay it from the beginning, in your head, just to make sense of it as a whole — it is just for the sake of pleasure, sometimes. Like this consequential scene that arrives in the opening portions of Serious Men, which, at that point, seemed quite inconsequential. Early on, we see Ayyan Mani (Nawazuddin Siddiqui who is fantastically defiant and who is more “Mumbaikar” than Tamil) entering the premises of National Institute of Fundamental Research, perhaps, the most elitist of organisations — where he works as a personal assistant to his Brahmin boss, Arvind Acharya (Nasser) — and pausing at a white board…
